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Anora, a young sex worker in Brooklyn, gets a chance to experience a Cinderella story when she meets and impulsively marries the son of an oligarch. When news reaches Russia, her fairy tale is threatened when her parents travel to New York to annul the marriage.
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An ambitious small-town TV reporter’s life is turned upside down when she must help raise her 15-year-old stepdaughter after her husband’s death.
Ryan and Daniel, two childhood best friends and aspiring actors, spend one last weekend together before RYAN leaves for Canada with his boyfriend. Wanting to create a lasting memory, they decide to make a movie.. Two guys make a movie. About two guys who make a movie. Along the way, bottled secrets emerge as they unfold their decade…
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20 years later, Odysseus (Raife Fiennes) is cast ashore in Ithaca. The king returned from the Trojan War, but much had changed in his kingdom. His beloved wife Penelope (Juliette Binoche) is a prisoner of her own house, who is hunted by suitors who want to become king. Their son Telemachus (Charlie Plummer) is threatened with death at the hands of suitors who see him as an obstacle on the way to the kingdom.
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Sonic, Knuckles and Tails join forces to fight a powerful new enemy: Shadow, a mysterious villain with powers unlike any they’ve ever seen before. See the actors behind some of your favorite animated films and series, including Keanu Reeves in Sonic the Hedgehog 3.
The directors of the previous films have mentioned that they were inspired by Sonic the Hedgehog 2 (2001) and the solo game Shadow the Hedgehog (2005). In the Knuckles TV series, Sonic said, “Robotnik is gone, and there’s no new battle to fight.” But in this film, he told Tails and Knuckles that they must ask Dr.
Because of this, it is unknown how they found out he was still alive. Commander Walters: [about Shadow] Project Shadow surpasses anything we’ve experienced before.
But where you found family and friends, Shadow found only pain and loss. Featured in Geeks + Gamers: Sonic 3 – Trailer Reaction (2024)
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A bride-to-be joins her fiancé’s bachelor party in the remote Australian outback. As the festivities descend into beer-soaked chaos, awkward details about their relationship are revealed, turning the celebration into a wild nightmare.
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At the dawn of the Cold War, U.S. Marshals Frank and Tommy pursue wanted criminal Benjamin Bonney through the Nevada desert and stumble upon a sinister plot that threatens to shake the foundations of justice and peace.
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It’s 2073, and the worst fears of modern life have come true. Surveillance drones fill the burnt orange skies and militarized police roam the destroyed streets, while survivors hide underground, struggling to recall a free and hopeful existence. In this ingenious blend of visionary science fiction and speculative nonfiction, Oscar®-winning filmmaker Asif Kapadia (Amy) transports us to a future prefigured by the terrifying realities of our present moment. Two-time Oscar® nominee Samantha Morton (In America, Sweet and Sour, Minority Report) stars as a survivor besieged by nightmarish visions of the past—a past that happens to be our present, visualized through contemporary footage that connects the current global crises of authoritarianism, uncontrolled big technology, inequality, and global climate change. 2073 is an urgent, unflinching vision of a dystopian future that may very well be our own.
At age 50, divorced and strapped for cash, Julian uses a car-sharing app to travel around Madrid. He falls in love with Lorena, a regular passenger, and his troubles begin when two strangers join them on their journey.
Features L’année dernière à Marienbad (1961). Mr.
Álex de la Iglesia, known for his mastery of suspense and horror, seems to have strayed off track with “The Passenger’s Wing,” which unfortunately falls into the category of predictable Sunday night comedies. Despite its potential, the film lacks the originality and suspense that fans have come to expect from De la Iglesia’s work.
The cast, including Blanca Suarez, Alberto San Juan and Ernesto Alterio, are talented actors, but their performances are overshadowed by a script that doesn’t do justice to their skills. It’s a wonder why they decided to take on a project that doesn’t make the most of their abilities.
Overall, “El cuarto pasajero” is a forgettable entry in Álex de la Iglesia’s filmography, lacking the depth and creativity that usually characterize his films.
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Pansy (Marianne Jean-Baptiste) is a woman wracked by fear, tormented by grief, and given to furious tirades against her husband, her son, and anyone who looks her way. Meanwhile, her easygoing younger sister (Michele Austin) is a single mother with a life as different from Pansy’s as their contrasting temperaments, rich in community…
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